Saturday, 19 January 2013

Breaking the Spell

After a decisive dry spell, on the 17th I took the morning off to again visit Lux Studios along with every other model in Sydney. 15 minuets early and the line was around the corner, five people wide. I changed from birkenstocks to black suede stilettos and the line grew by seven. In the intervening time I noticed the shearer breadth of people. As well as the models from New York to London, from fellow starters that I had seen in my development years to international beauties; there where cameras and reporters form Channel 9 and the Sydney Morning Herald. I still had no idea what I was here for as the call sheet had only the address and phone numbers although I was sure that it was the most important casting so far.

At a quarter past with the line now reaching into the hundreds we where ushered in 10 at a time to be seated in rows along a runway in a room lined with the words 'David Jones' and the pressure mounted. I realised that I hadn't practised my walk and that I nearly didn't bring my heels. I had 30 people in front of me yet to walk, watch and compose myself. In that time I noticed four things: (1) Many of them where asked to walk faster mid walk but still not walk fast enough then be asked to walk again. (2) The comp cards where being put into three piles; yes, no and maybe. (3) The men wore chinos or jeans and tight t-shirts, the women wore   short cheap cotton dresses in black or white. (4) While we where all waiting three girls came in and where aloud to go before those who where waiting. They had their pictures taken with casters and where aloud to chat with them before walking, one giving each a peck on the cheek. I assumed that they where girls who where invited back form last year (and no Miranda Kerr was not there).

When it was my turn everything that I had been told was forgotten and I clopped along without comment form the casters. I was not asked to walk faster and I did not see which pile I went into.

From there I walked back to Town Hall and took the train to Milsons Point and Wild Life Hair Salon, apparently one of the best in Sydney with one of the best views in Sydney. Out the glass back wall was the Harbour Bridge and Luna Park. They called back in one day to say that I was wanted.

On the day I woke at 7 to arrive early at the studio in an old paint factory although no need as the key was not retrieved until 8:30. The wonderfully English Miss Jayne Wild and her team of 'popets, angels and darlings' blowdried by hair in the carpark to keep on schedule. I was pleased to know that Chanel a fellow ex-development girl was to be their with me as well as four new friends from other agencies. Chanel and I had hair pieces her in green, I in grey. Mine was teased from the top of my ears to the the bottom of my chin, to good visual effect although I spent so long in the shower washing the glue and hairspray out that my fingers wrinkled.

Being the first one to start I was the first one to finish and while calling the lift home Jayne offered to take me home on her way to pick up her suit case and go to the airport. We drove through Newtown, chatting in her Mercedes Benz.

Wednesday, 19 December 2012

New Portfolio

Today I was given my official Vivien's portfolio complete with comp card and pictures from Anton.





Although at the moment there are only six images including the one from Oyster, I've been told to search round previous jobs for extra pictures and hopefully with future jobs it will fill up.

Sunday, 9 December 2012

More Test Shots

Yesterday, after weeks of going to castings without a proper portfolio or a comp card, I arrived at the studio/apartment of Anton Zemlyanoy. It was an Art Deco brown brick complex although modern and breezy inside. I got changed In his study, hair and make up in a hallway and shot in a lounge that joined them both.

The first look was a very natural bust, something that wouldn't go out of fashion. The second had more dramatic eyes but still very simple, from the knees up in a white dress with red stitching and a certain 60s element. The third produced many possible images many of which I didn't look myself rather more like a successful international model which was reinforced by the makeup artist saying 'I'd hire you from that'. The fourth was pulled out of a magazine as well. The fifth was a pain and by the end rather frustrating. In the end it was taken taken but it was mediocre compared to to the others.

Towards the end I met Piyusha and her sister who had just come down from Brisbane Vivien's and was getting her portfolio redone and another girl from Chic and we chatted while waiting for make up, lifts or sisters.

Still no word from Goldwell although I remain optimistic as Kerrie said that they will want someone with my hair colour which is something that not many people have. And it it is pretty definite that I was unsuccessful with JAL and UTS.

Friday, 30 November 2012

Goldwell

On the second last day of school I left at two, missed the 1:55 train by seconds, boarded the 2:12 train to Wynyard and then the M40 to 188 Oxford St. I wore a mid calf striped strait loose cotton dress with my hair done up with chopsticks. It was in a contemporary office in between shopping strips  and we were called first into a room with a single man who passed us onto another waiting room where we chatted before being called up.

There was six in the final room all grouped around one end of a conference table. They said my hair was beautiful and argued about weather I was too young. This is the first serious job. An upmarket office for a large part in an international brand. The other girls where proper models, gazelle,s and they talked of a Vivien's Christmas Party. This came from Cassandra a girl much older then me who I chatted to before going in. At this point I assumed  that age inhibited my attendance which I later confirmed while talking to Chanel another girl newly out of development who to was not invited. At this point I am unsure whether I will get the job.